Archive for the ‘Sepia Leaves’ Category

Dear Friends,

last evening, I made a post on social media on how I feel returning from Bhubaneshwar/Odisha after attending the SOA Literary Festival.

I am thankful to The Samikhsya and Kedar Mishra for carrying my yesterday’s post on my experience. Odisha continues to shower its love upon me. Grateful!

Bahut Bahut Dhonyobaad!

Please read more here …

Dear Friends,

my friend Hema Gopinathan has assessed my book Panjab: Journeys Through Fault Lines in the context of my earlier works Sepia Leaves and Roll of Honour.

It is interesting to me, as a friend of the author, that Amandeep Sandhu’s latest book is a non-fictional account of the whys of Panjab. His earlier works were autobiographical fiction of his childhood through the lens of mental health and his formative years as a student in a boarding school during the violent insurgency days.

This one, Panjab – Journeys Through Fault Lines, though seemingly a travelogue/ reportage of the ground reality of Panjab, feels like the third part of a trilogy of self-examination as the canvas broadens and the author goes deeper within himself. While the earlier two dug deep into the private, personal surface, it is only logical that the author would not find the encompassing truth in the inner landscape of memories and would have to make the journey to the outer, the land of his foremothers and forefathers.

The book begins with the haunting line, ‘If you want to understand Punjab, be ready to count it’s corpses’. A few millenia ago another man, Vikramaditya went looking to retrieve a corpse, but that was only possible once he answered the corpse’s twenty-four questions. Our wholeness is dependent on the acceptance and integration of all our parts, not just the good but also the dead, decaying bits.

Panjab… examines 16, Satt, Berukhi, Rosh, Rog, Astha, Mardangi, Dawa, Paani, Zameen, Karza, Jaat, Patit, Bardr, Sikhya, Lashaan, Janamdin. The solah anna that make up the kadwa sach of Panjab today.

It’s a searing often disturbing narrative, the author keen on neither sparing himself nor us the readers as he dissects the complex 16 layered wound, each exposing the next.

There is something to be said about the clear dispassionate eye of the critic, standing tall, giving us a sweeping view of all that they think is wrong with the system and how to fix it. The way the British ran a sharp knife right across body of Punjab with the cool eye of a surgeon, in what they thought was the least painful way to bisect a nation, a people.

But this is not that book, for Amandeep is not that writer. While he writes with the clarity of the outsider, he also writes with the longing of a long-lost son returning home to embrace his slightly dented, damaged mother. It is in many ways more a pilgrimage than a travelogue.

The rips and tears across fabric of Punjab match the ones that were etched on his soul by the inter-generational trauma of his ancestors and you watch as he carefully examines and matches the two seams hoping to find answers that would if not heal, provide a voice for himself and a people whose suffering has been ignored from time immemorial.

 

Dear Friends,

I love it when friends and readers respond to Panjab: Journeys Through Fault Lines. As a gift in the new year, Sheila Kumar responds to the book. Sheila is an old Panjab hand. She was in Panjab in the early 80s. In fact, in Kapurthala, when I was in school there. Thank you! Means a lot!

I open my New Year account of book reviews with a book I read slowly, attentively, absorbing everything it had to give.

Amandeep Sandhu`s PANJAB is many things to many readers.

There are those like me, who was once familiar with the pinds and the jind of what Sandhu calls the outlier state (and you must read the book to know why he does so). For us, the book is an updated ready reckoner, albeit in prose, of how things were and how things are.

Then there are people for whom the state stands for paranthas and lassi, juttis and parandis, bhangra and Lohri bonfires. This is based partly on perception, partly on stereotyped images. The book is an eye-opener for them, debunking several public perceptions and exposing the grim reality. On how bad the drugs situation is, on the ground. On the Land of the Five Waters being severely strapped for clean water. On its various deras (socio-religious organisations), the people who flock to them and the powers that control them. On the Khalistan movement, on Operation Bluestar, the last a sorrowful refrain which the author keeps returning to. On the Dalits of Punjab. And much more.

The past, historical and political, impacts this frontier state like few other states. Sandhu, who is a Sikh, yet stands at one remove from Punjab, trains an impartial but deeply compassionate gaze on all issues concerning the faith and the faithful.

Such an informative read. At the end of it, one wishes to unknow what one has just learned, to go back to dreaming of mustard fields, a boisterous people and a land of plenty. But reality is alas, reality.

A special hat-tip to Orijit Sen’s stark and compelling cover design.

Note: Below the review, look for Sheila’s review and Q&A with me on Sepia Leaves. This is a triple treat. 

Please read more here …

Thanks to friend Suneetha Balakrishnan, I found this article on Scroll.in by Gayathri Prabhu. It is a lovely list of memoirs and distinguishes them from autobiographies. It mentions Sepia Leaves glowingly.

Please read here ….

Friends, I am very happy that my in-law state Kerala has featured me in their leading newspaper Matrubhumi. Thank you Suneetha Balakrishnan for the effort. The article features my books and thoughts on writing. This is so lovely.

Please read more here …

Friends, for some good reason the Indian Women Blog interviewed me recently on my writing, my thoughts, my past and next work. Here is the interview. I feel flattered to be featured here.

‘Even after writing those hundreds of pages, I feel even more uncertain about myself. The more I explore myself, the more my way of describing myself through labels dissolve. Yet, I feel satisfied with my attitude to life. It is this: do not be defined by anyone else, seek your own language and ensure it cannot be appropriated.’

Please read …

Friends, I have known Asha Mokashi for so long but we have seldom met. Today she reminded me of this piece from a long time back. It is such a delight. Thank you Asha. Promise to meet soon!

Please read …

Friends, it is a matter of immense satisfaction that almost a decade after this book came out, it still evokes interest. The lovely and talented Sheila Kumar came to the recent book reading at iBrowse, Catholic Club hosted by the gracious Marianne Furtado De Nazareth.

Sheila wasn’t fully satisfied by the interaction because it veered towards the subject of the book – mental illness – which is critical but was less about the craft of the book and the author position. So, as she does, she wrote a review but also interviewed me. Frankly, I was quite blown by the questions. There were about a writer’s relationship with a story. We hardly talk about it. I loved answering them.

‘Also, though I am a writer and like to connect with the world, (I even seem extrovert and warm to friends, readers and strangers), I am actually very private and shy. I am very hesitant to single out myself with a ‘why me, God’ kind of question or use the first person narrative: the ‘I.’ I constantly ask myself: doesn’t the world suffer much more than me? Aren’t there much bigger issues to talk about? Why would someone read what I write? Yet, all my writing is first person. The inflection point is: when I know that the story is no longer about my emotions but taps into a universal consciousness, then I put it out for readers. Then they earn the epithet you just gave them – honest.’

Please read …

Friends, sometimes it happens almost magically that you discover a person from a completely different geography and connect with them through a primordial tribal kinship of experiences, thoughts, and practice.

I met Cristina Vidrutiu through the Schloss Solitude Blog and discovered her work with illness narratives. We conversed and she asked me questions which made me probe my own practice as a writer – shed light on what I am trying to do with my life. Upon seeing them published, I can now say that these answers are my credo as a writer.

Thank you Akademie Schloss Solitude! You make possible these wonderful connections.

Please read …

Thanks to DailyO and the publisher Speaking Tiger Books here is my story ‘My Mother’s Breast’ from Jerry Pinto’s the anthology on the accounts of mental health care givers ‘A Book of Light’.

However, do buy the book. It has 12 more such stories. Publishing houses, when graceful and open with subject matter, still need people to buy books. It is a matter of survival. This story is the epilogue to my novel ‘Sepia Leaves’. If you haven’t read it, and like this story, maybe buy and read that one too. Both books are available on Flipkart, Amazon.

Meanwhile, here is the story …