‘Kashyap breaks a basic rule of plotting a book: giving away what happens next. It is a mark of his confidence as a writer; he knows his storytelling will keep the reader hooked. From time to time he rotates the plot on the pivots of the story: Boben’s death, Aaita the grandmother on deathbed, Oholya’s temper, Pablo’s encounter with Anamika, Mridul’s love for the Nepali wine seller’s daughter Manju, the jurun … for the wedding, the suicide and so on. This is what lays layer upon layer of the thousand stories.’

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