Dear Friends,
I am pleased to share this review of both the English and Panjabi translation by Pawan Gulati. I believe word of mouth the best endorsements – when readers read and write about the readings. Thank you Pawan Gulati ji.
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‘Panjab Journey Through Fault Lines’ is 559 pages, amazingly microscopic peep into what lies inside out in present day Panjab by Amandeep Sandhu, a Bangaluru based writer and journalist. Published by Westland in 2019, it created a buzz across India but Punjab somewhat missed or ignored its captivating glow beyond one’s comprehension.
Now the book has come about in Punjabi as ‘Punjab: Jinhan Rahan Di Main Saar Na Jana’ translated by Yadwinder Singh and Mangat Ram, published by Singh Brothers Amritsar. Born in Rourkela, The writer’s connections with Panjab remained remote, though he studied in a Sainik School situated in Panjab.
Most of the earlier impressions of his motherland comes to him through his interaction with his father or ailing mother but the deep urge to connect with the roots and understand the real Panjab leads him to embark on this travel. From the surface, Punjab looks surreal to a stranger with its Bhangra, tandoori chicken, sufis, langer, Bhindrawala, green revolution, partition, five rivers and so on.
However, the three year travel in the hinterland, grain markets, border towns and villages, protest sites, university corridors besides meeting with common people, activists of various hues, stakeholders, students engaged in battling out fault lines of sociological operation – table of Panjab afflicted with innumerable ailments of body, mind and soul leads him to an altogether different Punjab.
What he finds out is indicated through a line of a popular punjabi lyric: ‘Jeho je tu smajhe Mahiya, oho ji mai hain nhi…’ on the very first page of this book.
The fault lines he grasps with his passionate, sensitive eyes are well captioned in 16 chapters as Satt (Wound), Berukhi (Apathy), Rosh (Anger), Rog (Illness), Mardangi (Masculinity), Dawa (Medicine), Paani (Water), Zameen (Land), Karza (Loan), Jaat (Caste), Patit (Apostate), Bardr (Border), Sikhya (Education), Lashaan (Corposes) and Janamdin (Birthday).
What he lays bare through his searching insights is a shredded Panjab bereft of hope, eager to escape the reality through suicides, drugs, migration or quick-fix jugaads. The chapter Rog (Illness) is a traumatic pitch where he combines the personal with the political in startling precision, with such passionate touch that one is about to cry. Looking at his mother’s cancer stricken body, he observes the ailments afflicting his State. One ailment leads to another, a bigger one but the super-specialists focus on one and allow the other to creep into fatal proportions, are contented that one ailment is at least under control, failing to view the catastrophic onslaught being brought about by the other. Here, his mother’s ailments turn into metaphorically the ailments of Panjab.
Without indulging into any far-fetched intellectual jargons, he neatly makes it obvious that Panjab has missed a holistic approach so far its body mutilated, mind and soul wounded by its very own masters.
To understand the problems faced by the state and its population, he delves deep, not satisfied with what the newspapers tell or the the narratives built over the years project, into the intricacies and dimensions experienced and perceived at micro level. Yet, he analyses the big picture ably aided by credible data to draw upon the wrath of times. The identities and resources both human and natural then reveal themselves as he journeys across the state as keen observer accompanied by some friendly activist, friend or reporter. Although, his search is to understand the present Punjab, the journey goes beyond the times back and forth mapping history, geography and psychology of Punjab.
His search removes his self-doubt and reaches the conclusion: Panjab is an extensive exercise in how to keep one’s faith alive- it tests the faith of those who believe in it. Sandhu reflects further that the only pillars that stood in the ruins of Panjab were its resistance to power and hegemony. He concluded the book in 2018.
A vibrant farmers movement in 2020 against agricultural laws displayed its stamina and courage creating a near hegemony on the discourse of Panjab, vindicating what Sandhu opined about the pulse of Punjab. Not just what it seeks to convey through its sober, steady and subtle narration leading from one point to another in wonderful cohesion, the style is markedly fresh, direct, uninhibited and yet full of microscopic depth of all labyrinths and nuances of Punjab polity and social spectacle at large.
Worth a read by one and all who cherishes or claims to know Punjab.